About

Tracey Berg-Fulton is a museum professional with experience in collections management, art handling and object research.

Currently, Tracey is an independent registrar for hire living in Pittsburgh, Pennsylvania. She is a member of the Registrars Committee of the American Association of Museums (AAM), the Oklahoma Museums Association and the Oklahoma Registrars Association. In the fall of 2011, she began organizing a monthly Pittsburgh Museums Meetup through Twitter to encourage collaboration between museum professionals in the region, and to have a bit of fun.

Tracey’s previous work experience includes the Fred Jones Jr. Museum of Art at the University of Oklahoma, where she was assistant registrar, and the Carnegie Museums of Pittsburgh as an imaging technician and as a postgraduate database intern. Tracey also worked as a volunteer collections assistant and was a member of the Board of Directors at the Depreciation Lands Museum in Allison Park, Pennsylvania.

Tracey is a 2008 graduate of the University of Glasgow, where she earned the degree of Master of Letters with Merit in Decorative Arts and Design History. While at university, Tracey published Miles of Tiles: The Tenement Closes of Shawlands and Langside, 1880-1916, her dissertation on tenement hallway tiles in Glasgow, Scotland. She also gave a conference paper on tenement tiles at the Century’s End conference at Queen’s University of Belfast in Northern Ireland.

Tracey is also a 2007 gradute of Otterbein University, where she graduated magna cum laude, with dual department honors in Art and Journalism. While at Otterbein, Tracey was selected for the Irish/American Scholars Exchange program in Northern Ireland.

Proficient with publication design software, image editing software, and a variety of traditional and digital photographic techniques, Tracey is passionate about 19th and 20th century tiling, architectural ceramics, toilets and sanitary ceramics, urban architecture, Glasgow housing history, social housing architecture, 19th century stained glass and photographic history.

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